Voted one of Christianity Today's 1997 Books of the Year! In what may be regarded as his magnum opus, Clark Pinnock here turns attention to the vital Christian doctrine of the Holy Spirit. Writing out of wide learning and deep personal passion, he shows us the way to restore the oft-neglected Spirit to centrality in the life and witness of the church. Pinnock explores the doctrine of the Spirit in relation to other key doctrines such as the Trinity, creation, Christology and the church. Never one to duck the difficult or sensitive questions, he also examines issues of the Spirit's universality, gender language for the Spirit, and charismatic gifts. Pinnock intends his book to be catholic (in the sense of respecting the beliefs and worship of the historic church) and evangelical (drawing particularly on the heritage of the Reformation). Always in sight is the mission of the church, for "people want to meet the real and living God and will not be satisfied with a religion that only preaches and moralizes." He concludes, "Only by attending to the Spirit can we move beyond sterile rationalist religion in the direction of recovering the sense of intimacy and immediacy for which our generation--and every generation--longs."
"This book will make you stretch your own imagination as well." --"The Denver Post" Two sisters, very different in attitude but both in search of the perfect man, are the heart of "Sense and Sensibility." Sensible, restrained Elinor seems to have found a kindred spirit in Edward Ferrars, while the impetuous, romantic Marianne falls hard for the dashing Willoughby. But each man has a secret that may destroy the relationship. Will the sisters find happiness--or betrayal? Debating the practices of museums, galleries, and festivals, "Exhibiting Cultures" probes the often politically charged relationships among aesthetics, contexts, and implicit assumptions that govern how art and artifacts are displayed and understood. The contributors Flame of Love download ebook museum directors, curators, and scholars in art history, folklore, history, and anthropology represent a variety of stances on the role of museums and their function as intermediaries between the makers of art or artifacts and the eventual viewers."
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